El mundo es un telón de teatro tras el cual se esconden los secretos más profundos / The world is a theater curtain behind which the deepest secrets are hidden / Le monde est un rideau de théâtre derrière lequel les secrets les plus profonds sont cachés / Il mondo è un teatro tenda dietro la quale i segreti più profondi sono nascosti >>
Si pudiese decir lo que quería decir, no habría razón para bailarlo / If I could say what I wanted to say, there is no reason to dance / Si je pouvais dire ce que je voulais dire, il n'y a aucune raison de danser / Se potessi dire ciò che volevo dire, non vi è alcun motivo per ballare >>
La música empieza donde se acaba el lenguaje / Music begins where language ends / La musique commence là où se termine le langage / La musica comincia dove finisce il linguaggio >>
Que sería de la vida, si no tuviéramos el valor de intentar algo de nuevo / That would life be if we did not have the courage to try something new / Ce serait la vie si nous ne disposions pas le courage d'essayer quelque chose de nouveau / Che sarebbe la vita se non avessimo il coraggio di provare qualcosa di nuovo >>
Donde no llega un maestro llega un títere / Where there is no teacher comes a puppet / Où il n'y a pas enseignant vient une marionnette / Dove non c'è insegnante arriva un burattino >>
No camines con la cabeza baja, es necesario levantar los ojos para ver el camino / Do not walk with his head down, you need to lift your eyes to see the way / Ne pas marcher avec la tête en bas, vous avez besoin de lever les yeux pour voir le chemin / Non camminare a testa bassa, è necessario sollevare gli occhi per vedere la strada >>
All Audiences | Contemporary Dance | Dance | Shows
In VOLAT a dancer transports us, from the most artificial and unconscious side to the simplest and most tender to find happiness with the memory of childhood innocence, between dance and poetry, between the animal and the human, between what imprisons us and what is merely necessary. A cry to freedom, an invitation to reflection and a boost to the search for the essentials from the artistic universe of the multifaceted Pepa Cases.
All Audiences | Contemporary Dance | Dance | Shows
Lo Invisible is a dance piece that explores the vital sensations of some determining moments in a person’s life.
All Audiences | Contemporary Dance | Dance | Shows
It’s the end of the world, seven surviving tribes need a link to understand each other in the face of their diversity, that link is a common language: “The Dance”. Dance is a language because through it, the human being expresses and speaks with the body. “In turn, the body is precisely the instrument that allows us to express feelings, emotions, meanings, even ancestral burdens if we go on a more internal search”.
Space: Plaza Palac...
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All Audiences | Poetry | Shows | Theatre
Coinciding with the anniversary of García Lorca’s arrival in Madrid, Teatro Destellos wants to make a small tribute to the universal Author based on his letters and the idea of the Lorca company “La Barraca”. An excerpt from this show in tribute to the figure of Federico García Lorca.
Promoting Local Co...
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All Audiences | Circus | Clown | Juggling | Shows
With an innocent, sometimes eccentric sense of humor… and an almost total absence of the sense of ridicule… Thelmo connects with the viewer in a natural, sincere, nude way, unpretentious… Transforming his sophisticated but almost awkward appearance into a more athletic but misaligned, almost ridiculous… Taking off his pasta glasses and changing his suit and tie for his lycra mesh and superhero cape.
Space:...
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All Audiences | Itinerant Theatre | Shows | Theatre
The mothership has left them on earth. Three explorers arrive in their reconnaissance vehicles, in order to collect samples. The Greis have a universal language, without words. They watch, analyze and play. They are naughty, endearing and very spontaneous explorers. They are activated through music and the sounds they emit through their reconnaissance vehicles.
All Audiences | Circus | Clown | Shows
Ray Hada Disociada wants to play a song, but the mess of all the objects in the scenic space will lead him to become stupid and feel unable to accomplish his goal… at first. Because many times in despair you can find the true hope of a dream. And it will be this premise that will lead Ray to manage them with his various circus skills, mixing them with each other and managing to surprise himself and everyone who observes her.
All Audiences | Shows | Street's Theater | Theatre
Based on ancient Celtic legends, which talk about the five elements, secrets jealously guarded by ancient cultures are revealed: the origin, the birth from the shadows of a small light; the fire, the strength of the earth, the volatileness of the air or the vitality that can enclose the water, so the four elements have been presented, and the great secret is revealed to us: their combination, the ultimate result of these elements will give us a fifth and magical factor: The essence, that where according to tradition coexist water, air, fire and earth with the ethereal, with the spirit.
All Audiences | Shows | Street's Theater | Theatre
More than 150 years after its premiere, THE INCREDIBLE BOX continues to be represented. Then it was a success. Today the director, great-grandson of the founder, and two eccentric assistants try to maintain the greatness of the Show… It does not have the glow of the beginning, but they maintain some costumes, the scenery and the spirit. But time passes, singers lose their voice, acrobats reflexes, actors memory… And artistic talent is not inherited. Maybe at the end of so much trying to be magnificent they will get it.
All Audiences | Contemporary Dance | Dance | Shows | Urban Dance
Improvisations of Samuel Martí. Show based on improvisations based on three disciplines mainly: hip hop, popping and animation. Where they include dance, comedy and representation… They are never choreographed, they are created ninety percent by him, including the assembly of music. They are never equal and that surprise factor has earned him the applause of criticism and public in equal parts.
