Rogelio has been locked in his house for 20 years. In high school he was bullied. After reading Paulo Coelho and following a 12-step therapy, he is on the last step. Step number 12: do what you like most in public, magic. If everything goes well today, you are discharged and tomorrow you will have the most important appointment of your life. That is cured with the help of the public.
Company: asSircópatas (Spain – A Coruña)
This piece shows the emotions of sadness, anxiety and oppression that this woman suffered when she escaped from North Korea in the 90s, crossing the Gobi desert and hiding in rural China. Based on real facts.
Company: Zuk Dance Company (Spain – Madrid)
Offic...
>>More than 30 years have passed since Billy Elliot appeared on the big screen, where he ended up entering a Dance school in London, but it is unknown what happened to him afterwards. The movie ends, but the characters’ life continues, how did Billy Elliot treat life in the future? In “Billy Elliot Dance School” we will see Billy today, running his itinerant school together with his faithful assistant Magui. They travel the world in search of a patron who helps them buy the Royal Academy of Dance in London from where Billy was expelled. But is he the winner we all expected? Are your methods the most orthodox?
Company: Niumpaloal’Arte (Spain – Granada)
Official Program
Space: Plaza...
>>Inspired by the magical beings of heroic fantasy: Elves, Elves, Geniuses and Ogres. Barnabas is a strange and crazy character who goes on the roads telling magical stories, creating improvised situations, always having the audience as an accomplice. The Path Account is a show that connects oral narration with puppet theater.
Company: Mau Tetro (Chile)
>>Dorian, a young “donkey” who lives life with immense curiosity and innocence. Pep, a lion that is hunted and put in a circus cage. Neither was able to imagine what was going to happen. One day humans arrive, donkeys and the lion change their lives forever.
Company: Xarop Teatre (Spain – Castellón)
Official Program
>>An Olympiad of Popular Games where the important thing is not to win, but to participate. You can play games as well known as the truque, the rayuela, the comba, the goma, the pañuelof, the bag races and a lot of other activities… Come and have fun!
Company: Teatro Destellos (Spain- Madrid)
Paral...
>>Two actors, two actresses, a bicycle, music of the 30s and an aesthetic with modernist airs. We pass in front of others without hardly seeing them, pending the everyday, busy in ourselves. We lack time. What if one day we dedicate it to hug others? Do you want to feel butterflies in your stomach? We spread emotions, fluttering butterflies in the stomach, tingling in the toes, spontaneous smiles, nervous laughter and blushing on the cheeks Do you give me a hug? Do you get carried away by Zhá Zhá Zhú?
Company: Telón Corto (Spain – Madrid)
Offic...
>>(… Or maybe we should say The Ministry of the Interior?? …) Mr Spark has to work like every day in his office, but that day and he doesn’t know why, he has a huge circle of people watching him. Mr Spark already has a series of defects that prevent him from doing his job effectively, but this time with the presence of the public, this work day, which is going to be the last one, will become, at least, In a fabulous street show.
Company: Mr Spark (France/Spain)
Official Program
>>Piky Potus takes us into the world of play and humor, a character who seeks his balance in his hats and toys. It combines juggling, contact, handling and high-flying throwing skills. Interact directly with the public for a single purpose. The fun. A great end with risk of vertigo and without seeing, make this show transport us beyond the senses.
Company: Piky Potus (Argentina)
>>In every being there are two faces considered opposite: strength and fragility. The first traditionally linked to the masculine and the second to the feminine. The first positive, coveted and displayed. The second negative, hidden and limiting. The human being conceives the world in a binary way. Therefore a society that conceives strength as positive and essential, classifies fragility as negative and inessential. However, no individual acknowledges inessentially spontaneously. Therefore, we fled frantically from our fragility. We build rampant identity, without faults or cracks.